- Writing on the Wall [Style is self plagiarism, 1 Feb 2016], 2016
- oil on washi-paper, framed, perspex
-
paper: 198 x 198 cm
frame: 200 x 200 cm
- Vicks on Stainless Steel, 2011
- steel, vicks
- Ø 186 cm
- Untitled [Dedication Means Authority], 2017
- pencil and marker
- 200 x 200 cm
- Untitled (Poetry Account) (Elisabeth Eybers), 2021
- wood, paper, lights, decoupage
- Ø 153 cm
- Untitled (Gas Station / Sanctuary), 2007
- mixed media
- 500 x 1.400 x 450 cm
- Untitled (Be More Specific), 2003
- wood, rubber, inhalation rub
- 150 x 170 x 40 cm
- Untitled, 2017
- pencil, ballpoint pen and marker, template
- Untitled, 2006
- cardboard, plexiglass, performers
- 210 x 80 x 40 cm
- Transported Studio, 1994
- various
- 600 x 400 x 300 cm
- The World is my Oyster, 1996
- broken out back wall of Galerie Fons Welters
- 230 x 700 cm
- Relief 3 7 januari 2012 – 27 november 2014, 2012-2014
- cassette tapes
- 140 x 200 x 30 cm
- Relief 28 Nov 2014 – 26 Jul 2017, 2014 - 2020
- cassette tapes
- 200 x 140 x 30 cm
- Relief 25 march 2009 – 6 jan 2012, 2012
- cassette tapes, 774 hours
- 140 x 200 x 30 cm
- Poetry Account Balance, 2020
- hand stamped books in casing, pedestal, framed print
- 124 x 43 x 36 cm
- Passion, 2020
- template, eucalyptus ointment
- 33 x 244,5 cm
- Medicin Cabinet (Multiples), 1993-2008
- all editions Job Koelewijn 1993-2008, wood
- Higher Contradictions (Passion without Motive), 2017
- pencil, ballpoint pen and marker, template
- 370 x 370 cm
- Hannah Arendt, 2020
- laser engraved multiplex, paint
- 30 x 30 cm
- Collage Storyboard, 2023
- cut paper & glue on aluminium, video in loop
- t = 15, Ø 195 cm
- Cinema on wheels, 1999 - ongoing
- cinema music, cinema chairs, wood structure
- Broken White, 1998 - 2004
- baby powder, wooden frame, glue
- Bonnet, 1992 - 2008
- c-print, framed
- 84 x 83 cm